从他的青年，保罗Castorini，西西里男爵，是为吸引女性，因为他们给他。乔凡娜，一个丫鬟，莉莲，在罗马一个严重的女朋友，一个女主人在战后方，保罗让爱他们所有人。他也觉得不满意，只有身体的生活，比起他的记者朋友蒙特拉和他自己的父亲，一个清醒和严肃的思想家。当他的父亲是在他临死的时候，保罗得知解散的诅咒的家族和一些梅毒。几年后，他立志要嫁给卡特里娜的女人，他应该已经结婚了的纯的女儿。他想她的纯洁，赎回他，所以他可以让一些他的生活。但为时已晚？ 　　来源转载：播出电影网

从他的青年，保罗Castorini，西西里男爵，是为吸引女性，因为他们给他。乔凡娜，一个丫鬟，莉莲，在罗马一个严重的女朋友，一个女主人在战后方，保罗让爱他们所有人。他也觉得不满意，只有身体的生活，比起他的记者朋友蒙特拉和他自己的父亲，一个清醒和严肃的思想家。当他的父亲是在他临死的时候，保罗得知解散的诅咒的家族和一些梅毒。几年后，他立志要嫁给卡特里娜的女人，他应该已经结婚了的纯的女儿。他想她的纯洁，赎回他，所以他可以让一些他的生活。但为时已晚？ 　　来源转载：播出电影网

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Is it rational that the dead can communicate with the living and give sound advice on how they should live their lives? What about sticking pins into your body to free the flow of Chi energy and cure your illness? Or the bending of spoons using your mind alone? Is that rational? Richard Dawkins doesn’t think so, and feels it is his duty to expose those areas of belief that exist without scientific proof, yet manage to hold the nation under their spell. He will take on the world’s leading proponents in their field of expertise, meet the victims who have used them and expose the history of the movements – from the charlatans who have milked these practices to the experiments and testing that have failed to produce conclusive results.

Is it rational that the dead can communicate with the living and give sound advice on how they should live their lives? What about sticking pins into your body to free the flow of Chi energy and cure your illness? Or the bending of spoons using your mind alone? Is that rational? Richard Dawkins doesn’t think so, and feels it is his duty to expose those areas of belief that exist without scientific proof, yet manage to hold the nation under their spell. He will take on the world’s leading proponents in their field of expertise, meet the victims who have used them and expose the history of the movements – from the charlatans who have milked these practices to the experiments and testing that have failed to produce conclusive results.

The idea of making this film came from two separate stories from middle school: The first one was during a health inspection, a lunchbox was found behind the television shelf at a the corner of the classroom, and inside of it were some gross molded food; the other one, a story told by our maths teacher, that years ago a dead body was found in the gaps of two buildings on the hill at the back of the school, molded and green - apparently this guy was a thieve who went out at night but ended up getting stuck there. My middle school was built around a hill, which gives the campus an interesting look - it goes up to the middle of the hill, and the end of it borders a neighborhood, where some complex, weird paths and buildings interweave. It has a humid and neighborhoody(idk what this means but) smell, just like the rest part of the city - the Guangzhou (Canton) city. Deep in its core, especially the neighborhoods, space is randomly divided by the buildings and their gaps, weird and unplanned, narrow and mossy - seemingly filled with all the secrets and twisted stories. They become a component of the people there, or the people become a part of them, and are buried and hidden inside the gaps. The kid's story is a story of a hidden memory, a thought, or just that part of himself, haunting and never-ending. It is also that part of him he left behind - the him that is dead in the gap. He hears the story, he believes in it, he becomes the story, he gets something from himself, he puts the story back. My generation grew up in the last bit of the passing-away old Canton, before Cantonese got widely banned at school. So, it has to be in Cantonese,hahahahaha Also my elementary school also borders some neighborhood, and me and my friends had a "secret station" on the highest floor of the last building, the second floor of which connects to a building where people live. I always wanted to climb through the fence in between. NOW I DID IN MY FILM wow I wrote a lot. Thanks for reading.

The idea of making this film came from two separate stories from middle school: The first one was during a health inspection, a lunchbox was found behind the television shelf at a the corner of the classroom, and inside of it were some gross molded food; the other one, a story told by our maths teacher, that years ago a dead body was found in the gaps of two buildings on the hill at the back of the school, molded and green - apparently this guy was a thieve who went out at night but ended up getting stuck there. My middle school was built around a hill, which gives the campus an interesting look - it goes up to the middle of the hill, and the end of it borders a neighborhood, where some complex, weird paths and buildings interweave. It has a humid and neighborhoody(idk what this means but) smell, just like the rest part of the city - the Guangzhou (Canton) city. Deep in its core, especially the neighborhoods, space is randomly divided by the buildings and their gaps, weird and unplanned, narrow and mossy - seemingly filled with all the secrets and twisted stories. They become a component of the people there, or the people become a part of them, and are buried and hidden inside the gaps. The kid's story is a story of a hidden memory, a thought, or just that part of himself, haunting and never-ending. It is also that part of him he left behind - the him that is dead in the gap. He hears the story, he believes in it, he becomes the story, he gets something from himself, he puts the story back. My generation grew up in the last bit of the passing-away old Canton, before Cantonese got widely banned at school. So, it has to be in Cantonese,hahahahaha Also my elementary school also borders some neighborhood, and me and my friends had a "secret station" on the highest floor of the last building, the second floor of which connects to a building where people live. I always wanted to climb through the fence in between. NOW I DID IN MY FILM wow I wrote a lot. Thanks for reading.

Jane is a Korean-American. She is staying at her father's friend's house for a few months while she prepares a chain of massage shops in Korea. However, instead of working on her massage shops, all she's doing is selling sex toys on an Internet broadcasting station. Her boyfriend Tae-in doesn't like what she's doing and tries to make her stop. One day, Jane finds out her mother in the States is sick and while she's back home, Tae-in gets into a car accident. Jane is used to testing her sex toys on Tae-in so while he's sick her sales drop. So she finds other men to test her toys on...

Jane is a Korean-American. She is staying at her father's friend's house for a few months while she prepares a chain of massage shops in Korea. However, instead of working on her massage shops, all she's doing is selling sex toys on an Internet broadcasting station. Her boyfriend Tae-in doesn't like what she's doing and tries to make her stop. One day, Jane finds out her mother in the States is sick and while she's back home, Tae-in gets into a car accident. Jane is used to testing her sex toys on Tae-in so while he's sick her sales drop. So she finds other men to test her toys on...